Photographer female
 
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body me / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

body me - © Jaya Suberg


 
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Hiroshima mon amour / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

Hiroshima mon amour - © Jaya Suberg


 
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Lena des fleurs / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

Lena des fleurs - © Jaya Suberg


 
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on my knees again / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

on my knees again - © Jaya Suberg


 
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ergriffen rot das Tuch,mixtechnik on107x78/ 2014 / Fine Art | photography by Fotografin Jaya Suberg ★7 | STRKNG

ergriffen rot das Tuch,mixtechnik on107x78/ 2014 - © Jaya Suberg


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way of / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

way of - © Jaya Suberg


 
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inside circle / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

inside circle - © Jaya Suberg


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stars / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

stars - © Jaya Suberg


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stay / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

stay - © Jaya Suberg


Camille / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

Camille - © Jaya Suberg


M.O.L / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

M.O.L - © Jaya Suberg


Divaa- / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

Divaa- - © Jaya Suberg


the other angle / Photomanipulation | photography by Fotografin Jaya Suberg ★7 | STRKNG

the other angle - © Jaya Suberg


When mysticism breathes ..

light darkArt

When the yearning embraces us, we know of the sweet pain that does not want to be released. Jaya Suberg draws us under the surface of all assumptions in a sensitive manner. The hidden becomes visible. We should look in; dive in for all desperate expectations and imposed veils to drop, to free us tolerated evils. Jaya Suberg - for me one of the
most significant digital artists – moves us with pure emotion. The human body
is her subject, sensitively composed with depleted color within an
intra-psychic atmospheric space. The relationship between form and content is flawlessly implemented in the surreal works – to the viewer the space appears posteriori. Condition and conditional - memory and body – fascinate in a hypnotizing manner. Jaya often closes the eyes of the inviting yet inaccessible photographed models [ what’s up with all the trumpery of vanities? ]. We are aware that with the disappearance of light, the eye-sight, the attention is directed into ourselves, that is the fear.
And the artist calls forth this introspection, delineation the world, devotion to the I.
The dreaded vanitas undergoes a confrontation with Eros and beauty -
the concurrent consequence: every beauty will fade [ run, baby, run ].
Tension and softness mark the artist’s sensual aesthetic. At times
dance and the loss of control promise acceptance of all things rejected [ supply
resisted ]. At other times, the image surface is marred [ cross lines ]. There is an emergence the spatial depth [ and stirs so strangely smooth ],
but more often it is a liberating sinking. Love for the subject, for the character, is immediately recognizable – Jaya never photographs a person without empathy and resonance. The visually embodied search to deactivate the filter (mind) demands perfectly composed designs by creative digital editing of her own photographs.

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